After receiving three separate emails asking for
some advice on learning to paint with watercolor, I am doing what I always do
when something happens as a part of three. I pay attention.
So here's how I suggest you begin to learn to paint with watercolor. Beginners are my favorite people! You are
full of good questions and are excited and terrified. We should all be –
throughout our lives. With watercolor and with life.
Some suggestions
Get
a few good supplies. On my
website (janhart.com) is a material list for those coming to a workshop and
also a color wheel that I use constantly. The color wheel can be downloaded and
printed from a pdf format. ( I recommend printing it onto glossy paper, 8 1/2 "
x 11") It has names and important chemical numbers of paints I prefer – which
helps with color/paint selection.
Material
List and Color Wheel
Keep the supplies to a minimum – especially the
paints.
To start with:
· Paper.
My preferred paper now is Arches, cold pressed 150#
watercolor sheets – 22” x 30”. I’d start
by cutting or tearing them into 4 pieces and you can use both front and back. Don’t
skimp with bad paper, especially with watercolor.
· 1 -2 brushes. I do all my painting with a ½” wash brush,
preferably a mix of real hair and synthetic. I also like a small pointed brush
for details (but I suggest keeping details to a minimum at the beginning. Try
to get the hang of using the very edge of your wash brush for details. It’ll
pay off eventually.) And make sure you
get watercolor brushes, not oil painting brushes.
· Palette: A small-medium plastic palette with a cover
and a place to mix your paints. I prefer about 12 – 18 wells into which you
will squeeze your new paint, individually.
Be generous with the amount and also be sure to label each so you’ll
start getting to know the names of your paints. (There are all kinds, prices
and sizes available online through Cheap Joe’s and Dick Blick. I avoid Hobby
Lobby and Michaels because they don’t carry good brands)
· Paints: Start with 3. Paints each have a personality
and need to be understood fully before you add more. The trouble with
buying a whole kit is that you get a lot of paints that often include those
that are composed of several pigments. The manufacturers love to make these
because they make more money by creating new paints to sell. The trouble is
that if you mix paints made of 2 – 4 pigments with each other, you often get
into ‘mud’. Just too many pigments mixed together and losing their
individuality. This is likely the greatest disappointment to beginners – who
don’t know how it happened. It is NOT your fault!
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| Wild Leaves at Papas, JH |
Here are the paints I would start with.
These are Primaries (on the color wheel) and mixed together they will
make a gray or black (if you don’t use much water). They are pure colors which
means that they are not mixes of
pigments (and on each tube in tiny tiny writing you can see what the pigment
is. If it is a single pigment, it is pure.
- Quinacridone Magenta – PR 122 or PV 19 (scientific chemical number – means Pigment Red – 122 or Pigment Violet - 19)
- Cobalt Blue (PB 28)
- Aureolin or Lemon Yellow (PY 151 or PY 175)
And – if you look at where each is on the color
wheel – these three are Primary colors meaning they cannot be mixed from other colors. That is lesson #1 on color theory.
There are several good watercolor brands – like
Daniel Smith, Graham, Winsor & Newton, some Holbeins, Shminke, and others.
Important: If the paint tube does not have a chemical
pigment number on it, don’t buy it even if it is cheap and looks good. It
will disappoint and discourage. Look
carefully – the type is very very small.
A good online source for all information about
watercolor pigments, paints and manufacturers is Handprint.com The author, Bruce MacEvoy
has created this huge website and provides much more information than most want
to know. A great resource. http://handprint.com/HP/WCL/water.html I find that if I want to know about the best magenta watercolor paints I'll just Google Handprint Magenta and up pops the page I need in his website.
A recent watercolor sketch done during an Intensive here in Costa Rica
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| photo at Villa Leonor |
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| wc sketch: Not Seeing the Forest For the Leaves, | JH |
If
possible, join a group.
Many of my students began with watercolor sketching and there are many
Urban Sketcher groups out and about. I
am personally a bit unfamiliar with Urban Sketching as an art group format but
certainly have had several students here who belong to an urban sketching
group. If you have no group to join, you
can do it alone – and watch some YouTubes.
The most important thing is to start PAINTING.
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| Croton Leaves in a Vase, JH 2016 |
Start using just these three
paints, mixed together or alone or just two mixed together and see all the
colors you can get from those. The biggest problem you will likely encounter is how
much water to use – and believe me, that is a problem that will only work
itself out through experience and time. There is no way to teach it.
How
to start? I’d try to get hold of a watercolor tablet of
some sort – or you can use the cut up sheets of Arches watercolor paper.
Begin by choosing what you want to paint. Here I put some croton leaves in a blue vase in my studio and loved the back lighted bright colors.
Then do a fairly quick pencil sketch on the
paper of whatever you are looking at. If you are painting something directly
from seeing it outside – you are painting en plein aire. If it is from
a photo – you are painting in studio. I painted using a 7" x 10" sketchbook. I guess I'm doing both since my studio is outside.
After your sketch, add paint from the concocted
puddle in your palette that is mix of a bit of pigment(s) with some water. And try
as hard as you can to turn off your self critical left brain that will begin
screaming things like ‘this is horrible’, ‘what a joke’, ‘this looks like….’,
Just know that the left brain hates being out of control – but it is your
right brain that is being awakened and knows best. Sadly the right brain, your
artist self is not verbal and can easily be overwhelmed with the most verbal
left! A good book on this is a classic Drawing on the Right Side of Your Brain, Betty
Edwards.
After you have put some paint on all the parts
of the paper except those you intentionally left white and blank, look at it
and let it dry. Some at this point like to add ink line, which is just so much
fun. Urban sketchers love ink line (and so do I)….
So
give it a try!
If you are still reading this and you want to,
you can send me a jpeg via email and I can take a quick look and then get back
to you with a quick critique/suggestion….. Something like “I think you
may be using too much water. Try…..” I offer this sincerely and
promise that I will treat you and your work with deep respect.
After all – I can still clearly remember when my
New Year’s resolution was to paint in watercolor….
Resources: My book, The Watercolor Artist's Guide to Exceptional Color, 2007 is out of print and will not be re-printed. You can occasionally find copies on Amazon for as low as $45 though usually much higher. Keep watching. OR you can order an online version through my website for $29.95. http://janhart.com/product/jan-s-watercolor-book/
And consider coming to paint with me in Costa Rica as part of a 5-Day Intensive! http://janhart.com/private-5-day-intensive-with-jan-at-casa-de-corazon/
Claudia painting the crotons in the vase in my open air studio.
